>>4866>Males with some feminine elements instead.NTA but Hippolytus is a great play which reflects how the Greeks viewed males who took on a more feminine role in society (more accurately, a man rejecting his role in society). It focuses on a male follower/worshiper of Artemis. If I'm not mistaken, it's one of the only uses of the word for "male virgin" in their writing. Similarly, The Bacchae is less of a reflection of their society as a whole, and more of an isolated incident wherein a man disrespects a god. Pentheus
crossdresses at one point, and there are heavy themes alluding to Dionysus possessing some more effeminate traits. It's more about Pentheus's descent into
madness due to Dionysus's influence on him. It's well worth a read. As for myths rather than plays, you have Hermaphroditus (the original myth, most commonly known from Ovid's rendition in Metamorphosis, isn't exactly fujo material. However, there are some allusions to a possible relationship with Silenus in other writings. I don't know of any sources offhand, but I know they exist). Orpheus is potentially of interest to you because nobody talks about what happened after his most famous myth involving Eurydice (in Ovid's version, he goes on to invent homosexuality in Thrace). This one is a little less explicit than the other myths I suggested, but he was given some more traditionally feminine traits in Roman writings. It's not at all the central theme, though.